2. Apologetical Commentary -

2. Apologetical Commentary -[122]

Although formerly, when in a state of humiliation (Cervantes, Chapters 26 and 29), Sancho had all kinds of "doubts" about accepting an ecclesiastical benefice, nevertheless, after pondering over the changed circumstances and his earlier preparation as beadle to a religious brotherhood (Cervantes, Chapter 21), he finally decided to "get" this doubt "out of his head". He became archbishop of the island of Barataria and a cardinal and as such sits with solemn mien and arch-ecclesiastical dignity among the foremost of our Council. Now, after the long episode of "the book", we return to this Council.

True, we find that "brother Sancho" in his new station in life has changed considerably. He now represents the ecclesia triumphans* —in contrast to the ecclesia militarise in which he was before. Instead of the belligerent fanfares of "the book" there is a solemn seriousness; "Stirner" has taken the place of the "ego". This shows how true the French saying is: qu'il n'y a qu'un pas du sublime au ridicule* Since he became a father of the church and began to write pastoral epistles, Sancho calls himself nothing but "Stirner". He learned this "unique" way of self-enjoyment from Feuerbach, but unfortunately it befits him no better than playing the lute does his ass. When he speaks of himself in the third person, everyone sees that Sancho the "creator", after the manner of Prussian non-commissioned officers, addresses his "creation" Stirner in the third person, and should on no account be confused with Caesar.d The impression is all the more comical because Sancho commits this inconsistency only in order to compete with Feuerbach. Sancho's "self-en joy ment" of his performance as a great man becomes here malgré lui an enjoyment for others.

The "special thing that Sancho does in his "Commentary", insofar as we have not "used it up" already in the episode, consists in his regaling us with a new series of variations on the familiar themes already played with such long-winded monotony in "the book". Here Sancho's music, which like that of the Indian priests of Vishnu knows only one note, is played a few registers higher. But its narcotic effect remains, of course, the same. Thus, for example, the antithesis of "egoistical" and "holy" is again thoroughly kneaded, this time under the signboards of "interesting" and "uninteresting", and then of "interesting" and "absolutely interesting", an innovation which, incidentally, could only be of interest to lovers of unleavened bread, in common parlance matzos. One should not, of course, blame an "educated"(1) Berlin petty bourgeois for the belletristic distortion of the interested into the interesting.

All the illusions which, according to Sancho's pet crotchet, were created by "school-masters" appear here "as difficulties—doubts", which "only spirit created" and which "the poor souls who allowed themselves to be talked into these doubts" "should ... overcome" by " light-he artedness" (the famous getting out of one's head) (p. 162). Then comes a "treatise" in which he considers whether "doubts" should be got out of one's head by "thinking" or by "thoughtlessness", and a critical-moral adagio in which he laments in minor chords:

"Thought must on no account be suppressed by rejoicing" (p. 166). For the tranquillity of Europe, and especially of the oppressed old merry and young sorry England,(2) as soon as Sancho has become somewhat accustomed to his episcopal chaise percée,(3) he issues from this eminence the following gracious pastoral epistle:

"Civil society is not at all dear to Stirner, and he has no intention of extending it so that it swallows up the state and the family" (p. 189).

Let Mr. Cobden and Monsieur Dunoyer bear this in mind. In his capacity of archbishop, Sancho immediately takes control of the spiritual police, and on page 193 he gives Hess a reprimand for confusing matters, which "are contrary to police regulations" and the more unpardonable the greater the efforts that our church father continually makes to establish identity. To prove to this same Hess that "Stirner" also possesses the "heroic courage of lying", that orthodox quality of the egoist in agreement with himself, he sings on page 188: "But Stirner does not say at all—contrary to what Hess makes him say — that the whole mistake of previous egoists was merely that they were not conscious of their egoism." Cf. "Phenomenology" and the entire "book". The other^ quality of the egoist in agreement with himself — credulity — he displays on page i82, where he "does not dispute" Feuerbach's opinion that "the individual is a communist". A further exercise of his police powers consists in censuring (on page 154) all his reviewers for not having dealt "in more detail with egoism as Stirner conceives it". Indeed, they all made the mistake of thinking that it was a question of actual egoism, whereas it was merely a question of "Stirner's" conception of it.

The "Apologetical Commentary" also proves Sancho's aptitude for acting as a church father by beginning with a piece of hypocrisy:

"A brief reply may be of benefit, if not perhaps to the reviewers named, then at least to some other reader of the book" (p. 147).

Here Sancho plays the devotee and asserts that he is prepared to sacrifice his valuable time for the "benefit" of the public, although he constantly assures us that he always has in view only his own benefit, and although he is only trying here to save his own clerical skin.

Thereby we have finished with the "special" of the "Commentary". The "unique" feature, which, however, occurs already in "the book", on page 491, has been kept by us in reserve not so much for the "benefit" of "some other reader" as for "Stirner's" own benefit. One hand washes the other, from which it indisputably follows that "the individual is a communist".

One of the most difficult tasks confronting philosophers is to descend from the world of thought to the actual world. Language is the immediate actuality of thought. Just as philosophers have given thought an independent existence, so they were bound to make language into an independent realm. This is the secret of philosophical language, in which thoughts in the form of words have their own content. The problem of descending from the world of thoughts to the actual world is turned into the problem of descending from language to life.

We have shown(4) that thoughts and ideas acquire an independent existence in consequence of the personal circumstances and relations of individuals acquiring independent existence. We have shown that exclusive, systematic occupation with these thoughts on the part of ideologists and philosophers, and hence the systématisation of these thoughts, is a consequence of division of labour, and that, in particular, German philosophy is a consequence of German petty-bourgeois conditions. The philosophers have only to dissolve their language into the ordinary language, from which it is abstracted, in order to recognise it as the distorted language of the actual world, and to realise that neither thoughts nor language in themselves form a realm of their own, that they are only manifestations of actual life.

Sancho, who follows the philosophers through thick and thin, must inevitably seek the philosopher's stone, the squaring of the circle and elixir of life, or a "word" which as such would possess the miraculous power of leading from the realm of language and thought to actual life. Sancho has been so infected by his long years of association with Don Quixote that he fails to notice that this "task" of his, this "vocation", is nothing but the result of his faith in weighty philosophical books of knight-errantry.

Sancho begins by showing us once again the domination of the holy and of ideas in the world, this time in the new form of the domination of language or phrase. Language, of course, becomes a phrase as soon as it is given an independent existence.

On page 151, Sancho calls the modern world "a world of phrases, a world where in the beginning was the word". He describes in more detail the motives for his chase after the magic word:

"Philosophical speculation strove to find a predicate which would be so universal as to include everyone in itself.... In order that the predicate should include everyone in it, each should appear in it as subject, i.e., not merely as what he is, but as who he is" (p. 152).

Since speculation "sought" such predicates, which Sancho had previously called vocation, designation, task, species, etc., therefore actual people up to now "sought" themselves "in the word, the logos, the predicate" (p. 153). Up to now one has used the name when one wanted to distinguish in language one individual from another, merely as an identical person. But Sancho is not satisfied with ordinary names; because philosophical speculation has set him the task of finding a predicate so universal that it would include in itself everyone as subject, he seeks the philosophical, abstract name, the "Name" that is above all names, the name of names, name as a category which, for example, would distinguish Sancho from Bruno, and both of them from Feuerbach, as precisely as their own proper names, and which would nevertheless be applicable to all three and also to all other people and corporeal beings — an innovation which would introduce the greatest confusion into all bills of exchange, marriage contracts, etc., and at one blow put an end to all notaries and registry offices. This miraculous name, this magic word, which in language spells the death of language, this asses' bridge leading to life and the highest rung of the Chinese celestial ladder is—the unique. The miraculous properties of this word are sung in the following stanzas:

"The unique one should be only the last, dying statement of you and me, should be only that statement which is transformed into opinion:

"a statement that is no longer a statement, "a muted, mute statement" (p. 153). "With him" (the unique one) "what is not expressed is the chief thing" (p. 149). He "is without determination" (ibid.). "He points to the content, lying outside or beyond the concept" (ibid.). This is "a concept without determination and cannot be made more definite by any other concept" (p. 150).

This is the philosophical "christening" of worldly names (p. 150). "The unique is a word devoid of thought.

"It has no thought content." "It expresses a person" "that cannot exist a second time, and consequently cannot be expressed either;

"For if he could be expressed actually and completely, then he would exist a second time, he would exist in the expression" (p. 151).

Having thus sung the properties of this word, he celebrates in the following antistrophic stanzas the results obtained by the discovery of its miraculous power:

"With the unique one the realm of absolute thoughts is completed" (p. 150). "He is the keystone of our world of phrases" (p. 151). "He is logic that comes to an end as a phrase" (p. 153). "In the unique one, science can merge in life, "By transforming its this into such-and-such a one, "Who no longer seeks himself in the word, the logos, the predicate" (p. 153).

True, as regards his reviewers Sancho has had the unpleasant experience of learning that the unique, too, can be "fixed as a concept", and "that is what the opponents do" (p. 149), who are so opposed to Sancho that they do not feel at all the expected magical effect of the magical word, but instead sing, as in the opera: Ce n'est pas ça, ce n'est pas ça! With great exasperation and solemn seriousness Sancho turns particularly against his Don Quixote-Szeliga, for in him the misunderstanding presupposes an open "rebellion" and a complete misapprehension of his position as a "creature".

"If Szeliga had understood that the unique, being a completely empty phrase or category, therebv is no longer a category, he might, perhaps, have recognised it as the name of that for which he still has no name" (p. 179).

Here, therefore, Sancho expressly recognises that he and his Don Quixote are striving towards one and the same goal, with the only difference that Sancho imagines that he has discovered the true morning star, whereas Don Quixote, still in darkness

ûf dem wildin leber-mer der grunt-lôsen werlde swebt.*(5)

Feuerbach said in his Philosophie der Zukunft? p. 49:

"Being, based on sheer inexpressibles, is therefore itself something inexpressible. Yes, the inexpressible. Where words end, only there does life begin, only there can the secret of being be deduced."

Sancho has found the transition from the expressible to the inexpressible, he has found the word which is simultaneously more and less than a word.

We have seen that the whole problem of the transition from thought to reality, hence from language to life, exists only in philosophical illusion, i.e., it is justified only for philosophical consciousness, which cannot possibly be clear about the nature and origin of its apparent separation from life. This great problem, insofar as it at all entered the minds of our ideologists, was bound, of course, to result finally in one of these knights-errant setting out in search of a word which, as.a word, formed the transition in question, which, as a word, ceases to be simply a word, and which, as a word, in a mysterious superlinguistic manner, points from within language to the actual object it denotes; which, in short, plays among words the same role as the Redeeming God-Man plays among people in Christian fantasy. The emptiest, shallowest brain among the philosophers had to "end" philosophy by proclaiming his lack of thought to be the end of philosophy and thus the triumphant entry into "corporeal" life. His philosophising mental vacuity was already in itself the end of philosophy just as his unspeakable language was the end of all language. Sancho's triumph was also due to the fact that of all philosophers he was least of all acquainted with actual relations, hence philosophical categories with him lost the last vestige of connection with reality, and with that the last vestige of meaning.

So now go forth, pious and faithful servant Sancho, go or, rather, ride forth on your ass, to your unique's self-enjoyment, "use up" your "unique" to the last letter, the unique whose miraculous title, power and courage have already been sung by Calderön in the following words:

The unique— El valiente cam peon, El generoso adalid, El gallardo caballero, El ilustre Paladin, El siempre fiel Cristiano, El Almirante feliz De Africa, el Rey soberano De Alejandria, el Cadi De Berberia, de Egipto el Cid, Moravito, y Gran Senor De Jerusalen.3

"In conclusion, it would not be unsuitable to remind" Sancho, the Grand Seignior of Jerusalem, of Cervantes' "criticism" of Sancho in Don Quixote, Chapter 20, page 171, Brussels edition, 1617. (Cf. the "Commentary", p. 194.)

—The valiant fighter,

the generous leader, the gallant knight, the illustrious Paladin, the always faithful Christian,

the fortunate Admiral of Africa, the sovereign King of Alexandria, the Judge of Barbary, the Cid of Egypt, Marabout, and Grand Seignior of Jerusalem.


Endnotes

[122] See Note 45.

a Church triumphant.— Ed. b Church militant.— Ed. There is only one step from the sublime to the ridiculous (an expression used by Napoleon on many occasions).—Ed. The reference is to Julius Caesar's Commentarii de hello Gallico (the author wrote in the third person about himself).—Ed.

(1) In the manuscript the Berlin dialect form jebildeten is used.— Ed.

(2) The phrase "old merry and young sorry England" is in English in the manuscript.—Ed.

(3) Night commode.—Ed.

(4) See Chapter I of Volume I of The German Ideology.Ed.

* Meister Kuonrat von Wurzeburc, Diu guldin Smitte, Verse 143.

(5) Swims in the wild liver-sea of the unfathomable world. (Liver-sea — mythical congealed sea in which ships stuck fast.)—Ed. Ludwig Feuerbach, Grundsätze der Philosophie der Zukunft.Ed.

(Calderön, La puenta de Mantible, Act 1. The words "El siempre fiel Cristiano" ("The always faithful Christian") have been inserted by Marx and Engels.)—Ed.